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Click Here to look for definitions grouped by category
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A. Ampere or amp. The unit measure of electrical current.
A/B Inputs.Two input connections under the control of an A/B switch. Such
switches permit the selection of either of two sources, such as tape or receiver
signals, for a given amplifier input signal.
A/B Switch. A two-pole selector switch permitting signal coupling from either
of two or devices (A or B) to a common device, such as from multiple audio sources
to a given speaker system.
AC. Alternating Current or the varying amplitude characteristic of an electrical
signal. All information-carrying signals, including audio signals, are AC, as it
is the signal's variation that contains the information.
Acoustic Suspension. A speaker construction alternative in which a sealed
enclosure traps air to serve as a spring-like return and damping mechanism.
Active. As in an active rather than passive circuit. Generally denotes a
circuit that operates from an electrical power source such as the AC line or batteries.
For example, active circuits include amplifiers, receivers and CD players. In contrast,
passive circuits like most speakers and headphones require no source of electrical
power but rely solely upon the electrical audio signal for operation.
Active Speaker. A speaker having an internal power amplifier for increased
speaker drive. This contrasts with the more typical speaker which derives its operating
power solely from the audio signal supplied to it. Active speakers most often appear
as active subwoofers where an internal power amplifier boosts the speaker's drive
signal.
Adj. Adjustable.
Adj-Ch. Adjacent channel. A channel adjacent to a receiver's tuned channel
and requiring rejection to prevent interference with the desired channel reception.
Lack of this rejection results in two or more signals mixing together in the receiver's
audio or video output.
AE. Automatic Exposure. Electronic control over a camera's shutter speed
or f stop to ensure accurate exposure level. This control prevents blurred or poorly
exposed photos. Selecting a shutter priority exposure mode fixes shutter speed while
varying the f stop to control exposure. This mode best serves action photos where
a high shutter speed is required to freeze motion in the photo. Alternately, selecting
an aperture priority exposure mode fixes the f stop while varying the shutter speed
to control exposure. This second mode best serves photos where a greater depth of
field is required to maintain focus throughout the foreground and background.
AES-EBU. The Audio Engineering Society and European Broadcasting Union connection
standard. This standard typically specifies XLR connectors.
AFC. Automatic Frequency Control. Automatic stabilization of a receiver's
tuned frequency through use of an internal reference frequency source. Comparison
of the signal received against the reference frequency permits automatic tuning
adjustment for optimum tuning accuracy and correction of tuning drift with time.
AGC. Automatic-Gain-Control. Automatic stabilization of a receiver's output
signal volume through comparison of that signal with an internal reference level.
This prevents sound volume variation with time and/or location. Particularly useful
in mobile applications like car radios where a varying location alters the received
signal strength. AGC automatically compensates for such variation to maintain a
set output level.
AH. Amp-Hour. A battery capacity rating that equals the achievable product
of the current drain and the time duration of that drain. The greater the AH rating,
the longer the operating battery life. For a known current drain requirement, dividing
the amp-hour rating by that drain yields the operating time duration of the battery
supply.
AM. Amplitude Modulation, as employed in AM radio broadcast. This modulation
varies a carrier signal's amplitude or magnitude to encode it with the desired broadcast
signal. The encoded signal is then broadcast at the station's designated carrier
frequency. A radio receiver detecting that signal demodulates it or separates the
desired modulation component from the carrier.
AMS. Automatic music sensor. A tape player feature that fast forwards to
the starting point of the next music track by sensing the presence of the next recorded
signal. At that point, fast forward stops and play resumes.
Anodized. Having a metal oxide finish as opposed to paint. An anodized finish
is formed by an electrolytic process in which the object to be coated serves as
the anode, hence the term anodized. Anodizing produces a durable semi-translucent
finish in a wide range of colors with black and gold being common in audio equipment.
Aperture Priority (Camera). Automatic exposure control achieved with a fixed
aperture and variable shutter speed. With a fixed aperture, the automatic control
sets the shutter speed to whatever level required for proper exposure. This aperture/speed
combination preserves image depth of field or range of focus but can sacrifice the
motion stopping benefit of a shutter priority alternative.
Attack Time. The time required to actuate a limiter following a signal crossing
of the limit threshold. During this turn-on time, unattenuated signal continues
to pass through the circuit. However, the high speed of electronic switching generally
makes this effect negligible for audio frequencies.
Attenuation. Reduction, as in audio volume control. The converse of amplification.
Typically performed with a gain control potentiometer in amplifiers or with a switchable-tap
transformer for in-wall volume controls.
Auto Reverse. A tape player feature that reverses tape direction and channel
at end of tape. This automatic reversal continues play with the other recorded channel,
rather than stopping the player like the more common Auto Stop option.
Auto Stop. A tape player feature that stops tape drive at end of tape, rather
than continuing play like an Auto Reverse option.
Automatic Volume Control. Automatic, electronic variation of gain to maintain
constant output volume. This feature is most useful in auto radios where the changing
signal conditions encountered in travel would otherwise result in a varying audio
volume.
Autotransformer. A transformer having an internal feedback winding for improved
signal transfer accuracy, especially at higher power levels. When used in audio
power amplifiers, autotransformers greatly reduce the distortion otherwise introduced
by output transformer nonlinearities. Rarely required except for the highest of
output power levels.
AUX Input. Auxiliary input to an amplifier for the addition of another signal
source such as a second tape deck or turntable.
AV. Audio-Video.
A/V. Audio-Video.
AWG. American Wire Gauge standard for wire diameter classification. The gauge
number bears an inverse relationship to the wire diameter; i.e., 22 gauge is smaller
diameter than 8 gauge. Sometimes important in the selection of speaker wire, as
very long runs of smaller wire introduce significant resistances compared to the
low impedances of speakers (typically 4 or 8 ohms). Such wire resistance parasitically
dissipates a portion of the audio signal intended for the speaker. Wire resistances
are characterized in ohms/foot, permitting simple determination of the coupling
resistances of individual wire runs.
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Baffle. The front mounting surface of a speaker enclosure. That surface also
serves to suppress emission of the opposing-phase sound waves produced by the backs
of speaker cones, making the baffle a significant enclosure element.
Banana Plug. A single-wire plug having expanded metal contacts that provide
spring tension when inserted into a mating banana jack. Provides quick connection
ease and is particularly useful in applications requiring frequent change. Generally
the simplest interconnect solution, however, somewhat less reliable than the lock-down
connection of a binding post.
Band. A frequency range of operation, such as the AM and FM bands of commercial
radio or the multiple operating bands of a CB transceiver.
Bandpass. Passing a specific band of frequencies defined by upper and lower
cutoffs, as with a bandpass filter. In equalizers, such filters commonly separate
an audio signal into multiple frequency bands for separate control of response characteristics
within each band.
Bandwidth. A frequency range of response most commonly defined by an upper
frequency limit. However, bandpass responses, such as those of speakers and equalizers,
are defined by both upper and lower limits.
Basket, Speaker. A speaker's mechanical frame that suspends the speaker cone(s).
Also serves as a basic mounting bracket but adapter brackets may be required for
specialized installations, such as encountered in cars.
Bass. The lower frequency range of the audio sound spectrum (drums, explosions,
etc.) spanning the frequency range of around 20 Hz to 200 Hz. Primarily reproduced
by woofers and subwoofers in audio systems.
Bass Boost. Increased bass signal for greater low-frequency sound. Often
found in headphones where size restrictions limit the internal speaker size, restricting
bass response.
Bass Reflex. A woofer enclosure having a tuned port for enhanced bass response.
The tuned port is a tubular enclosure opening that is dimensionally tuned to enhance
a narrow frequency range.
Battery Memory. A residual-charge characteristic of some battery types that
prevents complete recharge until full discharge has occurred. Reduced operating
time following charging may indicate this condition. To overcome the problem, some
battery chargers offer the option to fully discharge such batteries prior to recharge.
Bi-directional. In two directions, as in the two-way communication permitted
by intercom systems.
Binding Post. A versatile connector jack that accepts banana plugs and provides
screw-down wire connection for either wire lugs or a thru-shaft wire insert. Typically
located on the backs of speakers or amplifiers.
Bipolar. Bipolar junction transistor, as often used in the power output stages
of audio amplifiers for its superior high-power efficiency.
Bitmap. A digital image storage format used by digital cameras and some video
display drivers. As the name suggests, a bitmap identifies a digital word with a
physical location.
BNC. A bayonet-style locking connector for coaxial cable connections commonly
used for the higher frequency radio and video signals. Provides a highly-reliable
low-loss connection consistent with the requirements of RF coupling.
Boost. Signal gain generally supplied within a selected band of frequencies.
Often applied in audio to compensate for the restricted bass response of small speakers
like headphones or simply to accentuate bass response.
Bridgeable (Output). An amplifier output capable of driving loads such as
speakers that are connected in bridge configurations. Requires two output connections
to the load for each bridge drive. (See also Bridged Power).
Bridged Power. The output power of an amplifier when driving a speaker connected
in a bridged, as opposed to grounded, configuration. Bridged drive of a speaker
potentially quadruples the power drive supplied.
BSM. Best-Stations-Memory station selector presets. A car radio feature that
permits programmed assignment of specific radio tuning frequencies to selector buttons.
B/W. Black and White.
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Camcorder. Camera/recorder; specifically, the video combination. A camera
that records on video tape.
Capacitor. An electronic component that presents a frequency dependent impedance
which decreases in proportion to frequency. Commonly used to shunt unwanted high-frequency
signals or to block the coupling of DC voltages.
Car Cord. Adapter cord for power supply from a car cigarette lighter socket
to a portable electronic device.
CATV. Cable TV.
CB. Citizen Band. A two-way radio broadcast band assigned for unlicensed
public use.
CCAW. Copper-Clad Aluminum Wire.
CCD (Charge-Controlled-Device). A semiconductor element commonly used for
electronic light detection or imaging. Converts the photon energy of light to electrical
charge for electronic processing.
CCTV. Closed-Circuit TV.
CD. Compact Disc; a digital audio disc.
CDR. Recordable CD, typically a record-once disc.
CD-RW. Re-Writable CD, capable of multiple re-recordings as opposed to the
single recording capability of a CDR.
Center Channel. An audio sound channel derived from the combined signals
of the left and right channels for greater surround effect. A center channel fills
in the sound presence between left and right.
Center Frequency. The midpoint frequency of a bandpass response. That frequency
specified for a bandpass filter response.
CH. (See Channel)
Channel. One signal path, such as one of the two composing a stereo signal
or one of the three containing the bass, midrange and treble segments of an audio
signal. Also, a broadcast frequency as in TV and CB transmission.
Channel Separation. Signal isolation between channels such as between the
two channels of a stereo system. Greater separation adds depth and spatial sense
to audio playback.
Circumaural (Headphones). Ear surrounding; covering the ear. The circumaural
configuration blocks ambient audio interference. In contrast, Open-Air headphones
admit ambient sound.
Class A Operation. Transistor operation with continuous bias under all load
and signal conditions for low distortion and greater bandwidth. While less power
efficient, this operating mode avoids the transistor turn-off distortion introduced
by the more efficient Class B operation. The reduced distortion of Class A operation
most often benefits amplifier output stages. There, wide ranging current demands
would routinely exercise the turn-off distortion of Class B bias.
Clipping. A form of distortion in which an amplifier limits or clips signal
peaks. Commonly occurs when an amplifier is overdriven beyond its rated output level,
resulting in output swing up to limit imposed by the power supply voltage. Results
is severe audible distortion.
CM. Common-Mode. Common to the two lines of an electrical connection. Coupled
noise often occurs as a common-mode signal on the two line of a differential connection.
Common-mode rejection removes such error signals without disturbing the desired
differential signal.
COAX. Coaxial; having a common center axis as with the two conductors of
a coax cable or coax connector.
COAX Cable. A cable having two coaxial conductors with the outer conductor
serving as an electrical noise shield for the inner one. Presents a well-controlled
characteristic impedance to preserve matching for optimum signal transfer. The best
solution for coupling low-level antenna or dish signals to TV sets and VCRs. Requires
the installation of COAX connectors at the ends of each cable run.
COAX Speakers. Two speakers serving different frequency ranges internally
joined on a common axis for space and mounting efficiencies. Typical combinations
include a tweeter and midrange speaker having a common center-mounted driver.
Coaxial. Having a common center axis as with the two conductors of a coax
cable. The coaxial structure of such cable makes the outer conductor an electrical
shield for the inner conductor and controls the cable's impedance.
Coil. An inductor; an electronic component whose impedance increases with
increasing frequency. Useful in blocking the transmission of higher-frequency signals
such as in blocking high-frequency coupling from woofers.
Common-Mode Rejection Ratio. An attenuation factor for signals common to
two lines which rejects coupled noise. Twisted-pair wires present signals benefiting
from this rejection by equalizing the parasitic coupling affecting the two wires
of the pair.
Compander. A signal dynamic range compressor/expander; often used for noise
sensitivity reduction. Compressing the dynamic range increases the magnitudes of
the lower level signals, which are the ones most sensitive to noise error. Recorded
in this form, signals remain less sensitive to tape noise. Re-expanding the dynamic
range later restores the signal in the absence of that noise source.
Component Video. The separate Red, Green and Blue signals that are normally
combined in the composite video signal. As separate signals, they can directly drive
a monitor without the need for the normal combining and later separation to avoid
the signal degradation of that added processing.
Compress Ratio. The degree of signal compression produced by a limiter. Ideally
this ratio would be infinite to totally block signal transmission above the limit
threshold. However, practical constraints restrict this compression to around 20:1.
Cone. The conical diaphragm of a speaker. That portion of a speaker surrounding
the central driver.
Constant-Q Response. Having constant selectivity (response sharpness). One
of several responses achieved with bandpass filters, the constant-Q alternative
typically provides a flatter overall response in the passband.
Continuous Adjustment. A continuously variable or linear adjustment, like
that of a potentiometer, as opposed to the discrete step adjustments of a switch.
The continuous adjustment typically provides greater adjustment resolution since
switched adjustments remain limited by the number of switch positions practical.
Continuous Power. In a speaker system, the maximum average-operating power
permissible. A speaker can withstand greater momentary power excursions, like those
of music peaks, but a greater power continuously would potentially produce damage.
Converter (Power). Converts an input power line voltage to a different output
power line voltage. In a frequent application, such a converter reduces the 240V
line output common in Europe to the 120V common in the U.S. This conversion permits
the operation of electronic products intended for the U.S. from European power sources.
Crest Factor. The ratio of peak instantaneous power to the average power.
Most speakers can accept short term power peaks that significantly exceed the continuous
power rating, as expressed by crest factor. No speaker damage will result as long
as the average power remains within the speaker's rating.
Crossover. A transition frequency separating two regions of operation,
such as the crossover frequency of a speaker system between bass and midrange or
between midrange and treble. Crossover networks divide audio signals into these
separate frequency ranges to permit individual response adjustments within the ranges
and to separate the signals driving the corresponding speaker elements.
Crossover Frequency. (See Crossover).
Crossover Network. A multiple bandpass filter that separates an audio signal
into frequency ranges such as bass, midrange and treble for separate signal control
and for separate drive of woofer, midrange and tweeter speaker elements
Crossover Slope. The response roll off rate before or after the crossover
frequency, typically 18 dB/octave. This slope defines the response selectivity of
the crossover in separating its output frequency bands. High selectivity is desirable
for isolation of specific frequency bands to their corresponding speaker elements.
Crossover, 3-Way. A crossover network supplying three frequency-separated
outputs (bass, midrange and treble) for separate signal control and drive of woofer,
midrange and tweeter speaker elements.
Crossover Type. Crossover classification by the response roll off rate before
or after the crossover frequency. This defines the response selectivity of the crossover
in separating two frequency bands. Typically 18 dB/octave, indicating a three-pole
response roll off. (See also Crossover Slope.)
Crosstalk. Parasitic coupling between signal channels. At audio frequencies,
crosstalk normally results from ground loops introduced by the use of one ground
return for more than one high-current signal path. In one example of crosstalk avoidance,
separate ground return lines for the two speakers of a stereo system avoid such
cross coupling.
CRT. Cathode Ray Tube; the picture tube of a TV set or computer monitor.
Crystal-Controlled (Oscillator). Highly-stable frequency control achieved
with a quartz crystal. Used in precision radio tuning where the frequency of a reference
oscillator serves a reference standard.
CUL. Canadian Underwriters Laboratory. An electrical standards setting body
equivalent to Underwriters Laboratory of the U.S.
Current Feedback. A signal control technique that reduces distortion by sensing
an output signal current, comparing it with the input signal and supplying gain
to correct any distortion difference. The type of control realized with the feedback
winding of an autotransformer.
Cut. Signal attenuation applied within a selected frequency range. An equalizer
tuning function much like a bass or treble control but spanning a more selective
frequency range. The opposite of Boost.
Cutoff. The upper or lower limit of a frequency response where that response
drops 3 dB from its midrange level.
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Daisy Chain Connection. Connection of multiple devices in series on a common
line. Used in applications such as intercom, the common-line series connection
greatly reduces wiring requirements for installations spanning greater distances.
D/A converter. Digital-to-analog converter, as used to convert the digital
signal of a CD to an analog audio signal. The precision and dynamic range of this
conversion depends upon the number of bits resolved by the D/A converter. 16 bits
represents the standard for high performance audio applications.
DAC. (See D/A converter.)
Damping Factor. A measure of the ability of an electronic circuit to prevent
the introduction of extraneous signal resonances. A damping factor of 1.0 or greater
assures the suppression of such resonances. In audio applications, adequate damping
is particularly important in speaker and speaker enclosure responses because mechanical
resonances there would disturb response flatness.
DAT. Digital Audio Tape. With this storage format, signal recording
in digital form extends the high dynamic-range and low-noise benefits of CDs to
tape.
dB (decibel). A logarithmic unit of relative signal level. For signal power,
P(dB) = 10log(P1/P2) represents the power level P1 as compared with reference level
P2. Differs from dBu in that the latter is referenced to a reference P2 level of
0.775Vrms.
dB/Octave (dB/Oct). Frequency response roll off rate or slope. This slope
reflects the selectivity or response sharpness of equalizer passbands. 6 dB/octave
represents the basic single-pole response roll off and 18 dB/octave represents a
highly selective, three-pole response characteristic.
D-Bass. Dynamic bass. A boosted bass response producing increased low-frequency
content for greater woofer output. Produces a more dynamic and encompassing sound
for action videos.
DB-9. A 9-pin, D-connector configuration frequently used for computer equipment
interconnections like those required for computer control of audio signals.
DB-25. A 25-pin, D-connector configuration frequently used for computer equipment
interconnections like those required for computer control of audio signals.
D-Bass. Dynamic bass. A boosted bass response producing increased low-frequency
content for greater woofer output. Produces a more dynamic and encompassing sound
for action videos. (See also Bass Boost.)
dBu. The dB signal level relative to a reference level of 0.775 Vrms. [dBu
= 20log(es/0.775).] Differs from dB in that the latter only provides a relative
measure of two arbitrary signal levels.
DB-9. A 9-pin, D-connector configuration frequently used for computer equipment
interconnections like those required for computer control of audio signals.
DB-25. A 25-pin, D-connector configuration frequently used for computer equipment
interconnections like those required for computer control of audio signals.
DC. Direct Current or zero frequency, reflecting a voltage or current that,
unlike an AC signal, does not vary with time. Power supplys and batteries deliver
DC supply voltages for electronic equipment.
Diaphragm. The cone or dome of a speaker that vibrates in response to signal
drive, producing sound pressure waves. The fabric portion of a conical speaker or
the dome itself in a dome speaker.
Differential Input. An input signal connection between two input lines rather
than between a single line and ground; as commonly used for coupled noise rejection.
Digital. Signal representation thru a series of either 1 or 0 (on or off)
states. Contrasts with analog representation where signal amplitudes exist at any
level. In audio, the digital encoding of CD and DAT sources expands dynamic range
and suppresses noise.
Digital-to-Analog Converter. (See D/A converter.)
DIN. (Deutsche Industrie Norman) A German standard that defines mechanical
configurations such as those of some older European audio connectors.
Directivity (Microphone). Response pattern. Expresses the geometric shape
of the region of sensitivity surrounding the microphone in terms such as omnidirectional
or cardiod. A narrow directivity like cardiod better separates a desired sound signal
from background noise as generally desired in single voice use. A wide directivity
like omnidirectional best serves applications involving multiple sound sources at
varied locations, such as those produced by an orchestra.
Directivity (Speaker). The sound radiation pattern or the way output sound
waves spread from a speaker. In general, a wide horizontal spread and a narrow vertical
spread best serve audience spatial configurations or a varying listener position
within a room.
Discrete Output. Output stage(s) formed with individual discrete transistors.
For the higher-power output stages of amplifiers, discrete transistors provide greater
power handling and more performance alternatives than those included in integrated
circuit components.
Dispersion. The sound radiation pattern or output spread of a speaker (Directivity)
over a given angle. (See also Directivity)
Distortion. Signal wave shape deviation from the original. (See THD)
To some degree, all electronic equipment inherently distorts signals due to non-ideal
responses. For a given audio element, Total Harmonic Distortion serves as a quantitative
measure of such response deviations. (See also THD.)
Distortion, Harmonic. A measure of the distortion content of a signal as
represented by equivalent harmonics of that signal and specified as a percentage
of the signal amplitude. While the equivalent harmonics represented do not actually
exist in the signal, their summation would reproduce the distortion component of
the signal. Further, filter separation of the signal into its fundamental and harmonic
frequencies yields the harmonics for identification and measurement comparison with
the fundamental.
DNR. Digital Noise Reduction. The application of digital signal processing
(DSP) algorithms to reduce the effects of noise.
Dome Tweeter. A tweeter having a dome rather than cone shaped diaphragm for
wider sound dispersion. Tweeter response with a conventional cone diaphragm lacks
the spatial dispersion afforded lower frequency signals and a dome diaphragm compensates
for this limitation at the tweeter's higher frequencies.
Double-Sided Board. A printed circuit board having components mounted on
both of its sides for increased compactness.
Downfiring Speaker. A speaker that projects its acoustic signal downward
rather than outward. Sometimes preferred for woofers and subwoofers to achieve sound
spreading through floor reflections. That spreading avoids the localized effect
of conventional front firing speakers for greater surround effect.
Double-Sided Board. A printed circuit board having components mounted on
both of its surfaces for increased compactness. Multi-layer boards increase the
number of interconnect planes for even greater compactness.
DPI. (Dots-per-inch.) A measure of video image resolution. Electronic video
signals are composed of a multitude of pixels or dots each having color and brightness
attributes. The greater the density of dots or DPI, the smaller the dot size and
the sharper the resulting image.
DRAM. Dynamic Random Access Memory.
Driver. In a speaker, the voice coil that drives the internal speaker vibration.
Basically an electromagnet, the driver produces vibration in the speaker cone in
response to its audio drive signal.
Dropout. Signal loss during tape playback often due to mechanical shock or
vibration. Particularly important in portable tape players.
DSP. Digital Signal Processing. The application of digital signal-processing
algorithms primarily to reduce the effects of noise but sometimes to produce special
sound effects.
DSS. Digital Satellite System. A dish antenna and decoder combination that
receives satellite-coupled TV transmission.
DTS. Digital Theater Surround. A surround sound implementation having greater
bandwidth potential.
Dubbing. Adding a second audio signal to a first signal as in sound-on-sound
recording. The second signal does not override the first but rather adds to it.
Dubbing can, for example, add background music to a vocal dialog.
DV. Digital Video. DVD based video. ( See also DVD)
DVC. Dual voice coil. A type of audio speaker having separate voice coils
for two frequency ranges. Separate coils permit optimizing each for the specific
frequency segment it serves. In this way, one speaker fills the function of two
others such as a tweeter and a midrange. However, this combination inherently introduces
compromises not found with the two independent speaker alternative.
DVD. Digital Video Disc. A high-capacity video equivalent of a CD containing
both video and audio recordings for video (TV) playback. Sometimes produced with
dual-layer or double-sided discs.
Dynamic Headroom. The separation between a maximum signal excursion and the
maximum allowable. For audio speakers, this defines the separation between the maximum-recommended
operating level and that at which degradation occurs.
Dynamic Range. The span between minimum and maximum signal levels as determined
by noise and power limitations, respectively. The noise reduction of 16 bit DSP
potentially expands this range to 96 dB, however, speakers and headphone responses
then impose a final limitation.
Dynamic Range Compression. Low-level signal amplification and high-level
signal attenuation applied to raise signals well above the background noise level
without exceeding maximum amplitude levels. Used to reduce the significance of tape
noise. Requires signal re-expansion in the playback process.
Dynamic Speaker. A speaker having a permanent magnet for damping voice coil
motion and for returning the voice coil to its neutral position. The most common
speaker type for woofer and midrange applications.
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EL. Electro-Luminescent. An illuminated display often found in auto radios
that employs electro-luminescence rather than an incandescent bulb to light the
display.
Electronic Crossover. A crossover network formed with active rather than
passive filters for greater response shaping control. The gain introduced by the
active elements provides impedance isolation between crossover sections, removing
interdependences that otherwise compromise individual section responses. (See also
Crossover Network.)
EMI. Electromagnetic interference. Electrical interference coupled by magnetic
fields like the car radio noise sometimes produced by the car's ignition system.
Can also result from parasitic coupling from transformers.
EP. Extended Play. A lower-speed tape recording mode that extends recording
time. Frequently included in VCRs to accommodate longer recording requirements.
However, the lower speed also reduces recording quality.
EQ. (See Equalizer)
Equalizer. A multi-band audio bandpass filter having individual gain or attenuation
controls for each band. Adjusting the controls shapes the overall frequency response
to add emphasis or reduction of various signal frequencies, controlling the character
of the overall sound result. Essentially a multi-band tone control.
Equivalent Input Noise. Output noise divided by the circuit gain. This input
representation permits direct comparison of noise and signal levels for qualitative
evaluation.
ESR. Electrical Series Resistance. The parasitic resistance of a capacitor.
Presence of that resistance makes the capacitor non-ideal and limits its ability
to remove electrical transients and noise. ESR becomes most significant at higher
frequencies as the falling capacitive impedance then makes the parasitic resistance
a greater proportion of the capacitor's impedance.
Excursion. The physical distance traveled by a speaker's voice coil in producing
its sound output. Greater excursions correspond to greater output volume, as incorporated
in long-throw woofers.
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F-type connector. An economical coaxial connector commonly used for TV antenna
or cable connections. Similar to a BNC connector but lacking its locking feature.
Feedback. Supply of a portion of a circuit's output signal to the circuit
input for comparison with the input signal and the generation of an error correction
signal. Commonly used to reduce distortion in amplifier stages. The underlying principle
of the autotransformers sometimes used in amplifier output stages.
Ferrofluid. A particle filled oil that heat sinks a speaker's voice coil
to its magnet for cooling. Metallic oxide particles in the fluid enhance the thermal
conduction of the heat sinking. That heat sinking economically extends the speakers
power capacity.
FET. Field effect transistor. A lower-distortion but lower-gain alternative
to the bipolar transistor. Often used for higher-power amplifier output stages and
higher-impedance receiver input stages. Less effective than bipolar transistors
in amplifier gain stages.
FF. Fast Forward. A rapid advance feature of tape players and recorders.
Similar to Rewind but in a forward direction and generally slower to permit selective
bypass of tape sections. Sometimes combined with AMS (Automatic Music Sensor) to
permit fast forward advance to the next recorded track.
Filter. An electronic circuit that selectively separates a band of signal
frequencies, such as a low-pass filter for the separation of the low-frequency components
of an audio signal. Filters serve as the basic element of equalizers where multiple
filter channels permit frequency response tailoring.
Filter Slope. The response roll-off rate outside the filter passband. The
greater the roll off, the higher the filter selectivity. Crossover networks commonly
provide 18 dB/octave response roll offs for a high degree of discrimination between
adjacent frequency bands.
FM. Frequency Modulation; as in FM radio broadcast. Signal modulation
of a carrier signal through variation of the carrier’s frequency. This contrasts
with the amplitude modulation of AM broadcast. Noise interference more directly
affects signal amplitude and, thereby, AM radio signals, giving rise to the demand
for higher fidelity through FM broadcast. However, the higher carrier frequencies
allocated to the FM band typically result in a shorter effective transmission ranges.
F&R. Front and Rear, as in car audio volume balance.
4k bit. 4000 bit memory element, where a bit represents one digit of a digital
word.
Freq. Frequency.
Frequency. The rate of repetition of a signal in cycles per second. Higher
audio frequencies correspond to treble tones and lower ones correspond to bass.
Radio frequencies define station locations within a broadcast band.
Frequency Range. A range of frequencies between high and low end points.
A passband or bandwidth. Individual speaker elements like woofers, midranges and
tweeters serve different frequency ranges within the overall audio frequency range.
(See also Frequency Response.)
Frequency Response. The range of signal frequencies supplied by an amplifier
or reproduced by a speaker or microphone as specified by the upper and lower bounds
of the frequency range in Hertz (Hz). Typically, 20Hz to 20kHz encompasses the full
range of human hearing and separate audio speakers generally serve different segments
of this range.
Front/Rear Fader. A front-to-rear balance control, as commonly used in car
audio systems to achieve volume balance between front- and rear-mounted speakers.
This control simultaneously increases volume in one location while reducing it in
the other. Analogous to the more common Left/Right balance control of general audio
systems.
FRS. Family Radio Service.
F-type connector. An economical coaxial connector commonly used for TV antenna
or cable connections.
Full-Range Speaker. A single speaker, often incorporating multiple speaker
elements, intended for the full audio range. Offers a more compact and economical
solution but this combination speaker can not match the combined performance of
a woofer, midrange and tweeter.
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g. Gram(s). A metric unit of weight. (Approximately .035 ounces)
Gain. Amplification factor. Gain increases signal magnitude for greater sound
volume or improved radio and TV reception. Commonly provided by an amplifier in
audio or by an antenna in radio and TV.
GHz ( Gigahertz). A measure of signal frequency expressing thousands of million
cycles per second.
GND. Ground. The zero reference point from which a voltage or voltages are
measured. In the most basic case, earth ground. In electronic systems, generally
the chassis or case of the system.
Ground Loop. A crosstalk producing condition in which the ground line currents
from one signal produce voltage drops that add to another signal path. Star connection
returns of all grounds at a common point avoids such parasitic interference.
GUI. Graphical-User-Interface. An icon-based software interface.
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Halogen. An inert gas sometimes contained in strobe light enclosures.
HDF. High Density Fiberboard. An economical wood composite alternative often
used for speaker cabinets when combined with a veneer finish. The high density of
the fiberboard inhibits case resonances well but HDF lacks the durability and beauty
of a solid hardwood.
HDTV. High-Definition TV. A higher resolution television system with twice
the resolution of standard TV.
Headroom. The separation between a maximum rated signal excursion and the
maximum allowable. For an audio speaker, the power level separation between a continuous
operating capability and the higher level for which short term excursions can be
handled without damage.
Hi8. A video tape format.
Hi&lo Pass. High and low pass, as in speaker crossover networks. Frequency
response bands separated by the high-pass and low-pass filters of tone controls
and equalizers to isolate treble and bass signals for separate control. (See also
High Pass and Low Pass.)
High Pass. Passing only higher frequencies, such as the high-pass filters
that provide treble control in audio equipment. Crossover networks and equalizers
also incorporate high-pass filters to separate or control the treble component of
audio signals.
Hi-lo or Hi/Lo. High-low. (See also Hi&lo Pass, High Pass and Low Pass.)
Hipass. (See High Pass)
Horn. A high-frequency speaker. (See also Tweeter)
Hot Shoe. Camera strobe mount including a firing control connection.
Provided for mounting an external strobe without the need for a separate,
wire connection from the strobe to the camera.
HP. (See High Pass)
HPF. High-pass filter. (See High Pass)
Hz (Hertz). A measure of signal frequency expressing signal cycles per second.
Typically, 20Hz to 20,000Hz encompasses the full range of human hearing.
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IEEE 1394. A high-speed digital data-transfer interface standard for applications
such as streaming video. Often used with digital camcorders.
Impedance. The electrical characteristic of an electronic device that reflects
the voltage developed in response to a current supplied to the device. Speakers
typically display a low 4 ohm or 8 ohm input impedance to accept high power drive
from reasonably low signal voltages. Microphones typically present a high output
impedance to develop a sufficiently high signal voltage from their low internal
power generation.(See also Impedance Matching.)
Impedance Matching. Matching the driven load impedance to that of the source
for maximum power transfer, as typically implemented with transformer coupling.
IMPP. Injection Molded Polypropylene. A common form of rigid plastic.
Imaging. Acoustically portrayed location produced by a playback sound source,
primarily through stereo effect but also through relative sound intensity. The stereo
effect communicates left/right position and the sound intensity communicates relative
distances.
Impedance. The electrical characteristic of an electronic device that reflects
the voltage developed in response to a current supplied to the device. Speakers
typically display a low 4 ohm or 8 ohm input impedance to accept high power drive
from reasonably low signal voltages. Microphones typically present a high output
impedance to develop a sufficiently high signal voltage from their low internal
power generation. (See also Impedance Matching.)
Impedance Matching. Matching a driven load impedance to that of the source
for maximum power transfer, as often implemented through transformer coupling for
impedance transformation. A feature incorporated in many in-wall volume controls
through transformer tap selection. Becomes especially important where multiple speakers
share a given audio signal line, as each speaker added alters the net load impedance.
IMPP. Injection Molded Polypropylene. A common form of rigid plastic.
Inductor. An electronic element whose impedance increases with frequency.
Sometimes used to decouple woofers from high-frequency signals by placing the inductor
in series with the speaker's signal line. In such applications, the inductor's parasitic
resistance must be much less than the speaker impedance to avoid significant signal
loss.
Infrared. Light at frequencies below the red end of the visible spectrum.
Often used for signal coupling in wireless headphones and in TV remote controls.
Use of infrared light distinguishes the signal coupling light from normal room lighting.
Infrared also provides a more economical control link than the RF alternative but
it remains limited to line-of-sight coupling.
In/Out. Input/Output.
Input Impedance. That impedance presented by the input of an electronic device,
as commonly expressed in ohms. Amplifiers typically present high input impedances
to limit loading effects on their signal sources. Speakers most commonly present
low input impedances to accept higher drive power. Most speakers have an 8 ohm input
impedance, although 4 ohm and 16 ohm types exist for different applications.
Input Sensitivity. The minimum input signal level reliably detected by a
device, such as that required by the input of an amplifier. Generally, the internal
noise level of the device sets this minimum signal requirement.
Insertion Loss. Signal loss as a result of the insertion of an element in
a line.
Inverter. A power converter; as commonly used to derive line-power backup
from batteries. Inverters chop a battery's DC output voltage into time varying segments
to produce an AC power signal.
In-wall. Designed for installation within a wall, as with in-wall speakers.
In-wall speakers offer great placement flexibility and unobtrusive space demands
but can not match the fidelity achievable with enclosure mounted speakers. By design,
those enclosures enhance a speaker's acoustic result while a wall installation will
more likely degrade it.
IR, I/R. (See Infrared)
ISO. An international standard that defines film speed ratings.
Isolated Mounting Legs. Equipment support legs that electrically isolate
a case from unwanted ground connections that could introduce ground loop interference.
Isolation Transformer. A transformer used to break hum producing ground loops
by permitting different input and output ground references. This isolation interrupts
ground current paths that could otherwise couple ground reference differences into
the signal path.
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JPEG. A digital image compression format.
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Kapton. A high-temperature electrical insulator film sometimes used in woofer
voice coils.
kb (kilobyte). Thousand bytes where a byte is a unit of digital memory. For
a digital camera, the number of kb of memory determines the number and resolution
of the images that can be stored.
Kevlar. A high-strength, heat-resistant fabric sometimes used for speaker
diaphragms in higher priced models.
kHz (kilohertz). A measure of signal frequency expressing thousands of cycles
per second. (1 kHz = 1000 Hz). Audio signals extend up to 20kHz.
kohm (kilo-ohm). A measure of electrical impedance expressing thousands of
ohms.
KVA (Kilovolt-Amp). An electrical power-rating product of voltage and current
specified for an uninterruptable power source. Dividing that product by the line
voltage, (110V in the USA, 220V in Europe) yields the output current rating of the
power source.
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LAN Local Area Network. A computer interconnection network for limited connection
distances.
Lavaliere Design (Microphone). Clip-on; as with a lapel mic.
LCD (Liquid Crystal Display). An energy-efficient high-resolution display.
Most often produces black characters on a light green background in audio equipment
but capable of multi-color.
LCR. Left, Center, Right
LED (Light Emitting Diode). A semiconductor diode that generally serves as
an electronic indicator light to display the on/off states of equipment functions,
usually in red, yellow or green.
Li-Ion. Lithium Ion; a long-life battery material combination.
Limiter. An amplitude limiting clamp used to prevent signal overload.
Limit Threshold. That signal level at which a limiter initiates signal compression.
Line Input. A high level signal input that bypasses an amplifier's initial
gain stage to accommodate line level signals (1 to 2 Vrms). An input that accepts
the higher output signal presented by another amplified source.
Line Out (Line Output). An amplifier monitor output that bypasses
the amplifier’s variable and power gains. This output remains unaffected by volume
control variations and free of the distortion introduced by later power stages.
Lithium Ion (Li-Ion). A long-life battery material composition.
Low Cut. The low-frequency cutoff of an AC response. Attenuates signals having
frequencies below that of the low cutoff. The opposite of Low Pass. Low cut filters,
for example, remove bass signals from the tweeter drive.
Low Pass. Passing lower frequencies, such as the low-pass filter that provides
bass control in audio equipment. In that application, the filter separates the bass
components from the audio signal for separate volume control. The opposite of Low
Cut. Analogous to the High Pass filters used to separate high frequency audio signals
for treble control.
Low Pass Filter. A filter that passes only signals below its cutoff frequency.
In audio, such filters sometimes remove midrange and treble components from woofer
or subwoofer drive signals.
Low-Q. Having a broader frequency response and less susceptibility to electronic
resonance. A desirable amplifier and speaker characteristic that avoids the potential
for exaggerated responses from resonance and peaking.
LP crossover. A Low-Pass crossover frequency or filter network that separates
bass components from the overall audio signal. One of the signal separation boundaries
of a crossover network.
LPF. Low-pass filter.
L/R. Left/Right.
LUX. A unit of measure of light intensity.
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m Meter
mA (Milliamp). 0.001 amp. One thousandth of an amp.
Magnetic Gap. The space in a speaker's magnetic field where the voice coil
is suspended. This gap must be large enough to accommodate the voice coil's displacement
but small enough to retain high magnetic field strength across the gap.
Magnetic Oil (Ferrofluid). A particle filled oil that heat sinks a speaker's
voice coil to its magnet for cooling. Metallic oxide particles in the fluid enhance
the thermal conduction of the heat sinking.
Magnetic Shielding. Shielding against electromagnetic interference such as
that produced by transformers and speaker magnets. To be effective, the shield must
have a high magnetic permeability as well as a high electrical conductivity. Steel
posses both of these qualities while aluminum, although an effective electrostatic
shield, lacks the permeability required for magnetic shielding.
mAh. Milliamp-hour. The current-time rating of battery capacity which equals
the product of the current drain and the time duration of the drain. Dividing the
mAh rating of a battery by the current drain of a device it powers yields the sustainable
time of the battery supply.
MB. Megabit; one million bits of digital information.
MD. Minidisc. A 2.5" CD for compact/portable applications.
MDF. Medium-Density-Fiberboard. A denser version of particle board often
used for speaker cabinets because of its combination of economy and resonance damping
qualities.
Memory Effect. A characteristic of some rechargeable batteries in which residual
internal effects prevent full re-charge of the battery, particularly when the battery
has not been fully discharged. For a battery powered device, reduced operating time
between charges potentially indicates memory effect rather than battery degradation.
In such cases, complete discharge may restore operating time.
Metal Particle Tape. Audio/Video tape having a metal particle layer for improved
high-frequency response. The high permeability of the metal particles used to coat
such tape permits reducing the particle size to extend frequency response.
MHz. (Megahertz). A measure of signal frequency expressing millions of cycles
per second. TV signals and many radio signals are commonly broadcast in the MHz
range.
Mic. Microphone.
Midrange. The intermediate frequency range of the audio spectrum between
bass and treble. Also, a speaker designed to reproduce that range.
Milliamp. One thousandth of an amp (.001A).
MiniDisc. A 2.5" CD for compact/portable applications.
Mini Phone Connector. A 1/8" diameter plug-and-jack connector commonly
used for headphones.
Mixer. An audio or video processor that combines two or more source signals
in an output signal. Separate controls typically permit tone and volume control
over the contribution of each source signal to achieve an optimum tone balance.
mm. Millimeter(s). (Approximately .04 inches; 1" = 25.4mm)
Modular. Contained in a variety of separate enclosures or cases as opposed
to within one common enclosure. Modular audio systems typically consist of separately
cased signal sources, amplifiers and speakers.
Modulator (Video/Audio). An electronic signal processor that combines a video/audio
signal with a carrier signal for distribution. A later demodulator removes the carrier
following transmission to restore the original signal. Analogous to radio transmission.
Mono (Monaural). Monophonic; single-channel audio.
MOSFET. Metal-oxide-semiconductor field-effect-transistor. Often used for
higher current or lower distortion in power-driving amplifier stages.
MPEG. A digital image compression format.
Multi-Channel. Supporting multiple signal paths or channels, such as from
an amplifier to multiple speakers.
Mute. To silence or cut off a signal. A feature used in CB radios to quiet
the output in a standby mode.
mV. (Millivolt). 0.001 volt. One-thousandth of a volt.
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Natural Resonance. The natural frequency of vibration of an object as determined
by the object's physical dimensions. Natural resonance occurs in an object when
struck by an audio wave having a wavelength equal to an even fraction of one of
the object's dimensions. Then, the object vibrates in synchronization with that
wave producing extraneous harmonics. Damping these harmonic vibrations requires
the use of rigid, heavier materials for speaker enclosures.
NC. Noise Cancellation. A feature added to some headphones that removes ambient
noise interference through signal cancellation.
Neodymium. A magnetic alloy alternative to ferrite for speaker magnets. Neodymium's
greater magnetic field density reduces size for compact speaker applications and
headphones.
NiCad. Nickel-Cadmium. A rechargeable battery material combination. Economical
but subject to a memory effect that can eventually prevent full recharge.
NiMH. Nickel-Metal-Hydride. A rechargeable battery material combination having
much greater capacity and none of the memory effect of NiCad equivalents.
NM. Normal-Mode. Between the two lines of an electrical connection.
NR. Noise Reduction. (See also NC.)
NTSC. National Television Standards Committee or the color TV standard governing
the transmission signal format used in the USA and Japan.
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OEM. Original-Equipment-Manufacturer.
OFC. Oxygen-Free Copper. Copper wire that provides lower line resistance
for reduced parasitic line drops.
Ohm. The unit of electrical impedance, equaling an element's voltage drop
divided by its associated current.
Omnidirectional Pickup. Responsive in all directions as with omnidirectional
microphones that respond to sound input from any direction, as opposed to directional
microphones. (See also Polar Pattern.)
Open-Air (Headphones). Open space design partially vents and receives acoustic
energy to avoid the image restricting confinement of totally isolated stereo signals.
However, in the process, the open-air design does emit sound to the surrounding
environment.
Optically Isolated. Employing optical isolation between system components
to prevent ground loop interference. Particularly effective because the conversion
to optical transmission breaks all electrical conduction loops.
OS. Operating System (computer).
OSD. On-Screen Display. Often used to display an operating menu for TV channel
selection and audio system control.
Output Impedance. That impedance presented by the output terminals of an
electronic device, as commonly expressed in ohms. Lower output impedances facilitate
higher power transfer to a load.
Overload Protection. Internal protection against damage from signal overload.
Typically activated by sensing current level or temperature in output transistors.
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PA. Public Address.
PAL. Phase Alternation by Line. A European TV broadcast signal standard.
Panhead. The position-adjustable mounting head of a photographic tripod.
Permits free-moving left-to-right and/or up-down rotation or panning of a mounted
camera.
Particle Board. Wood chips and glue pressed into board shape to provide an
economical alternative to natural wood. Its uniformity and rigidity make it well
suited for low resonance speaker cabinets. (See also MDF.)
Passive Radiator. An undriven, secondary woofer diaphragm used for improved
low-frequency response.
PCB. Printed Circuit Board. The board on which electronic components
are combined and interconnected to form an electronic circuit.
PCM. Pulse-Code Modulation. Signal encoding through modulation of a carrier
pulse width. A signal encoding technique used in digital audio and some switching
power supplies.
Peak Limiters. Signal amplitude limiters that clip or terminate response
at a higher signal level beginning at a limit threshold.
Peak Power. In a speaker system, the maximum instantaneous operating power.
A short term capability, this power level exceeds the continuous rating to accommodate
signal transients.
PEI. Poly-Ether Imide. A resilient speaker cone material.
Phantom Mode. A surround sound alternative that diverts the low-frequency
center channel signal to the main speakers. Used in the absence of a dedicated center
channel speaker.
Phase Delay. An undesirable time shift of audio signals most pronounced at
higher frequencies. Readily produced by bandwidth limitations, this delay is the
source of phase distortion which degrades audio clarity.
Phase Linearity. The absence of phase delay.
Phase Reverse. A speaker drive option that reverses signal phase to permit
sound synchronization with another speaker. One switch position will produce in-phase
sound waves from the two speakers that compliment each other. The other position
will produce out-of-phase waves that acoustically subtract to degrade sound. Listening
tests while switching will determine the correct setting for synchronization.
Phase Shift. Time delay introduced in an electrical signal. Produces phase
distortion in audio signals of higher frequencies. Most often the result of amplifier
bandwidth limitations.
Phase Shift, Variable. Control over signal phase shift in stereo playback
to vary the apparent image location. The associated time delay introduced in one
channel of a stereo signal varies the apparent location of sound coincidence or
the acoustic image. Phase delay in one channel makes its image further away than
that of the other channel to alter the composite image location.
Phone Connector. A ¼" diameter plug-and-jack connector commonly used
for headphones.
Phono Plug. A low-cost coaxial cable plug commonly used on audio and other
low-frequency cables. Also called an RCA plug.
PIP. Picture-in-Picture. A small, secondary image screen displayed
in one corner of a primary TV image. Selecting an alternate channel for the secondary
image permits monitoring one channel while viewing another.
Pixel. An individual dot component of a dot-matrix video image. In color
video, each of many thousands of pixels displays in red, green or blue to contribute
to the localized screen color. Adjacent pixel colors visually mix to define the
composite color perceived.
PLL. Phase-Locked Loop. A frequency-selective feedback loop used for electronic
tuning within radio and TV receivers. Provides high-selectivity channel tuning with
microelectronic compatible components. Bypasses the need for lossy, large inductor
elements in tuning circuits.
Polar Pattern. The spatial responsivity pattern of a microphone. This describes
the shape of the region surrounding the microphone that produces the greatest response.
Different microphone designs respond to different patterns for different applications.
For example, cardiod patterns provide very directional responses suitable for selectively
receiving a single audio input. Omnidirectional patterns capture sound from all
directions to detect surrounding sounds as well.
Polarity Switch. A phase reverse switch included on some amplifiers to permit
phase reversal in a speaker drive. Used to check for speaker phase synchronization.
Synchronized speaker drive produces additive sound waves while unsynchronized waves
tend to produce canceling effects. In the absence of a polarity switch, simply reversing
the two wire connections at one speaker produces the same effect but the time required
then makes synchronization more difficult.
Polymer. A synthetic chemical compound, like plastic.
Power. The amount of electrical energy supplied or consumed by a device,
such as supplied from an amplifier to a speaker or consumed by the amplifier from
the power line, as specified in Watts (W).
Power Amplifier. An amplifier dedicated to higher output power levels but
often lacking preamp sensitivity and control functions. Generally used in conjunction
with a dedicated preamp to fulfill these other requirements. Such a combination
permits largely independent optimizations of input and output features to best serve
more sophisticated applications.
Power, Bridged. Power available to a bridge-connected load (speaker). When
permitted by the amplifier, the bridge connection of a speaker drives it between
two opposing output swings. This drive doubles the speaker’s overall voltage swing
to potentially quadruple the drive power. Higher impedance speakers in conjunction
with higher power amplifiers most likely realize the full bridged-drive benefit.
However, amplifier output power limitations may independently restrict this benefit
to a drive power doubling, depending upon the specific conditions of the application.
Power, Full-Bandwidth. That power delivered over the entire specified bandwidth.
At higher frequencies, amplifier output power generally becomes restricted by a
large-signal bandwidth limit that is distinct from the commonly specified small-signal
bandwidth. Larger signals encounter a slew rate limit or maximum rate-of-change
that imposes this added restriction. However, the amplifier remains capable of delivering
the full bandwidth at a reduced power level.
Power Handling. Power capacity such as the input power rating of a speaker.
Sometimes separate short term and long term specifications define this capacity
with considerably higher short term ratings that accommodate music transients.
Power Inverter. A DC-to-AC power converter for powering AC devices from a
battery source. These inverters transform a DC input voltage into an AC output voltage
capable of powering devices designed for line power operation. Often used as a computer’s
uninterruptable power source or UPS. Typically restricted in output power capability
to short duration demands.
Power Output. The maximum power output available such as from an amplifier
output. Higher power output is important for the accurate reproduction of audio
signal peaks even if not fully utilized at the average volume level.
Power, Peak. In a speaker system, the maximum instantaneous operating power.
A short term capability, this power level exceeds the continuous rating to accommodate
signal transients. However, this short term rating does not reflect the more restricted
continuous power capability.
PPS. Polyphenylene Sulfide. A type of plastic used in electrical insulation.
PTT. Push-To-Talk. A CB radio feature that leaves the radio in the receive
mode until depressing the PTT button switches it to the transmit mode.
Pre-Amp. Pre-Amplifier. A low-level signal amplifier typically used in conjunction
with a power amplifier. Pre-amps provide initial signal gain and often include response
tuning controls. However, they most often require the addition of a power amplifier
for speaker drive.
PTC. Positive-Temperature-Coefficient, as in electronic overload protection
devices. Signal current passing through the resistance of a PTC device produces
power dissipation that causes temperature rise. In response, the device’s resistance
increases to reduce the current flow to a safe level.
Punch Bass. Bass boost. Increased low-frequency audio signal drive to accentuate
bass components and/or to compensate for restricted low-frequency speaker response.
Especially effective with headphones as size restrictions then preclude the use
of lower-frequency transducer elements.
PVC. PolyVinyl Chloride; a flexible plastic often used for wire insulation.
PWM Power Supply. Pulse-width modulated power supply for high power efficiency.
A type of switching power supply that increases the power available in response
to power demand rather than consuming a high standby power.
PWR. Power.
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Q Control. Response selectivity control. Varies the roll-off sharpness of
a filter passband to control the selectivity of the band. Higher Q sharpens the
response for greater frequency selectivity.
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RCA Connector. An economical, coaxial cable plug/jack combination commonly
used for audio and lower-frequency video signals. Couples signal and ground thru
inner and outer conductors, respectively. Sometimes color coded by function such
as signal (red/yellow/white) and ground (black).
RCA Inputs/Outputs. Signal connections presented with RCA connectors. These
connectors are economical, plug-in coaxial types commonly used in audio and component
video applications.
Regulated. Controlled or stabilized, as in a power supply output that remains
insensitive to the varying load demands produced by signal variations. Power supply
regulation is typically specified as the percentage variation in rated output voltage
produced by regulation error in conjunction with a specified load current demand.
Release Time. The time required to deactivate a limiter following a signal | |